Texan singer-songwriter Landon Lloyd Miller has announced his debut solo album: ‘Light Shines Through’.
From documentary film production to winemaking, Landon has left his unique mark in multiple areas, juggling a lifelong passion for music — including a long run as frontman of his Shreveport-based “space western” band, The Wall Chargers — with an ever-present desire to create and collaborate. He’s a Renaissance man for the modern age, as adept with an acoustic guitar as he is with a movie camera. ‘Light Shines Through’, his debut album as a solo artist, finds him turning a new corner, trading The Wall Chargers’ larger-than-life stomp for something more insular, introspective, and dynamic.
“I’ve always been nervous to say something was truly mine, in case someone doesn’t like it,” Landon admits, who pulls triple-duty as the album’s songwriter, multi-instrumentalist, and co-producer. “But Light Shines Through isn’t the work of a person who’s hiding behind a band’s moniker. It isn’t fiction. It’s me.”
Years before recording ‘Light Shines Through’ with a rotating cast of collaborators from across the American South, Landon grew up amidst the swamps and fishing villages of northern Louisiana. His father was a minister in a charismatic church, while his mother was a traveling choir director. Gospel music always filled the family’s home, and Landon began making music of his own as a child. By 14 years old, he was playing drums during local church services; by 15, he was playing guitar and writing original songs. He dived into the secular work of folksingers like Bob Dylan during his college years, and the impact was monumental. Before long, Landon had expanded his music collection to include Roger Miller, Conor Oberst, Roy Acuff, and the Louvin Brothers — artists who, he says, “were willing to talk about real life, personal troubles, and grey-area scenarios.”
After traveling around in his early twenties, Landon returned to Shreveport and put his creative abilities to use as the frontman of The Wall Chargers. The group became a hometown favorite, thanks to a big, brassy sound that made room for psych rock, shoegaze, folk, and soul. Landon wrote the band’s songs while also working as a coffee roaster and regional film producer. By the time he launched his solo career in 2020 — a year that also found him leaving Louisiana and resettling in the Texas Hill Country, where he supplemented his work as a musician with a daytime gig as a winemaker — he’d also earned his stripes as a music composer, documentarian, and producer for a regional film company.
That whirl of activity sets the stage for ‘Light Shines Through’, an album that reintroduces Landon Lloyd Miller as an autonomous singer/songwriter. It’s a wildly diverse record that makes room for confessional piano ballads, cinematic roots rockers, and plenty of troubadour twang. Landon guides a full band through the soulful strut of “Light Is Growing” — a song whose funky undertones shine a light on his Louisiana roots — then takes a minimalist turn with “Landslide,” a bare-boned folk song featuring nothing more than harmonica, acoustic guitar, and Landon’s timeless, vibrato-laced voice. Songs like “Blue Bonnet” find some middle ground between those two poles, laced with light touches of piano, horns, organ, and percussion. “We didn’t throw the kitchen sink at every song,” says Landon, who recorded the album with help from musicians in Louisiana, Texas, Alabama, and other states. “There was reserve. There was restraint. We asked ourselves what each song needed, and we didn’t add much beyond that.”
