MIIA 'Huldra' (REVIEW) - Urbanista Magazine

Some albums feel like collections of songs. Others feel like invitations. MIIA’s long-awaited debut Huldra belongs firmly in the second category. Inspired by one of Scandinavia’s most enduring mythological figures, the Norwegian singer-songwriter crafts a record that explores what it means to stop hiding parts of yourself and begin embracing the beautiful contradictions that make us human.

Across its thirteen tracks, Huldra unfolds with remarkable patience. Love, grief, longing, empowerment, and forgiveness are all given room to breathe, allowing each chapter of the emotional journey to develop naturally. From the fragile openness of “I Can Tell a Lie” to the exhilarating rush of “I’m in Love with You,” MIIA captures emotions that feel both deeply personal and universally recognisable. There is no need for dramatic spectacle when sincerity carries this much weight.

The production from Benjamin Dan Ravn Fahre and Joachim JR Rygg provides an elegant backdrop for these stories. Dreamlike synths, restrained electronic beats, and subtle pop melodies create an atmosphere that feels intimate while maintaining cinematic scope. The music rarely demands attention through volume alone. Instead, it draws listeners inward, rewarding close listening with layers of emotional detail.

The mythology of the huldra gives the album its emotional anchor. Traditionally feared for her beauty and mystery, MIIA reimagines the forest spirit as a symbol of resilience, freedom, and self-discovery. That reinterpretation allows the record to speak beyond folklore, becoming an exploration of what happens when we stop performing for others and begin living more honestly for ourselves.

Huldra is an album that lingers long after it ends. Its songs invite reflection rather than instant gratification, encouraging listeners to revisit both the music and themselves. In doing so, MIIA delivers a debut that feels timeless, compassionate, and quietly courageous.

“I’ve been fascinated by huldra for as long as I can remember. I’ve always felt connected to her, but I was also afraid of her. As I grew older, I understood why. Huldra was feared because she couldn’t be controlled, and because she had power. For years, I was afraid of my own power too. I wanted to be good, to be perfect, but perfection doesn’t exist. I hope this album inspires people to accept themselves completely, flaws and all. To allow themselves to fail, to explore creativity and sexuality without shame, and to embrace vulnerability, rage, softness, and strength as natural parts of being human. This is a journey toward self-love, freedom, and the death of shame.”