Represented by Decent Music PR, multi-talented artist Peso The Misfit, known for his captivating live performances that blend music and cinema into immersive experiences, has released his highly anticipated new single, “New Age Love.” The track marks an exciting shift in his musical style, merging the smooth allure of R&B with the swagger of hip-hop, while staying true to the creative world Peso has carefully cultivated.
Who were the artists or albums that shaped your sound growing up?
“Growing up, I was exposed to a wide range of music, but a few key artists and albums really shaped my sound and inspired me to start creating. Wu-Tang’s 36 Chambers, Nas’s Illmatic, and 50 Cent’s Get Rich or Die Tryin’ were some of the first that made me want to write. Jay-Z’s Reasonable Doubt and The Black Album, plus early Kanye—especially up to My Beautiful Dark Twisted Fantasy—had a big impact too. My dad also played a lot of ’70s R&B—The O’Jays, The Delfonics, The Temptations—so that soulful vibe stuck with me. Michael Jackson was one of my first favourite artists. Later on, it was the rise of J. Cole, Kendrick Lamar, and Drake that really propelled me—albums like Friday Night Lights, Take Care, and good kid, m.A.A.d city showed me what was possible. Those artists helped evolve my sound into what it is today.”
“New Age Love” blends R&B and hip-hop so smoothly—how do you define your genre, or do you try to avoid labels?
Thank you, I really appreciate that. That blend of R&B and hip-hop is exactly what I was going for with New Age Love. I’ve always felt connected to both genres—R&B is where my heart is, but hip-hop has been a huge influence too. So for me, finding a space in between just makes sense. As for defining my genre, I try not to overthink it. Some people hear R&B, some say it’s alternative, others hear elements of pop or rap—it really depends on the listener. I just focus on making music that feels honest and real in the moment. The labels can come later. I’m just creating what moves me, and hopefully it moves others too.
Your name, Peso The Misfit, has a strong identity. What’s the story behind it?
Yeah, so I came up with the name around 17, when I first started writing. I wanted something that sounded cool and had meaning. People always assumed I was Hispanic, and I liked the idea of having something money-related in the name—so ‘Peso’ just stuck. ‘The Misfit’ came from how I felt growing up—I never really fit in anywhere, and being mixed, it went even deeper than just not fitting in socially. I wasn’t a bad kid, but I’d end up in situations or make choices that had people labeling me. I remember someone once called me a misfit during a rough time, and the word just hit. When I looked up the definition, it felt like it described me perfectly. I figured if I felt that way, others probably did too, and I wanted to make music for people who feel like they don’t belong. Plus, I thought ‘Peso The Misfit’ just sounded dope. So in my 17 year old brain it was a no brainer to go with that name. No rhyme intended.
You seem very intentional about not just making music, but making experiences. Where does that creative drive come from?
Thank you—I really appreciate that, because you’re right. I’m not just trying to make songs; I want to create experiences. That drive comes from how I connected to art growing up. Before music, I wanted to be an actor, and that love for film and storytelling never left. When I hear music, I don’t just listen—I see scenes, emotions, stories unfolding, like a movie in my head. So when I create, I naturally want to bring that same cinematic feel. I want people to not just hear what I’m saying, but to see it, to feel it—like I’m writing about their memories or emotions, not just mine. That immersive experience is everything to me. If I can’t feel it, I can’t connect to it—and if I can’t connect to it, I don’t want to put it out. So yeah, it’s all about creating something people can truly live inside for a few minutes.
What’s a common misconception people have about you as an artist?
That’s a tough one, because I’m not always sure what people assume about me as an artist. But one thing I’ve noticed is that people often think I’m a lot more serious than I actually am. My music can be pretty introspective or emotional, so when people meet me in person—whether it’s in a session or just in passing—they’re surprised that I’m pretty laid-back. I like to joke around, I’m calm, and I don’t talk much unless I know you, but I’m definitely not as heavy as the music might make me seem.
How do you balance making music that’s personal with making it relatable to your audience?
That’s the golden question, right? I think the key is honesty. Even if someone hasn’t lived the exact situation I’m describing, they’ve felt the emotion behind it—whether it’s love, pain, pride, anger, or anything else. Emotions are universal, even if the stories are personal. For me, it’s about being vulnerable enough to tell the truth, and when you do that, people connect. They might not relate to the details, but they’ll feel what you felt—and that’s what makes it real.
What’s one thing fans might be surprised to learn about your creative process or daily routine?
One thing fans might be surprised to learn is that I need to create alone. I’m super private with my process—there are only a couple people I’ve ever been able to make music around. And the process isn’t always smooth; sometimes a song comes together in 20 minutes, other times it takes months. I might lay down a hook or just mumble melodies and not finish it until way later. I go through creative waves too—I’ll lock in for a few months and make a bunch of music that ends up lasting me years. Then, the creativity might shift, and I’ll start writing scripts or brainstorming film ideas. It’s like the inspiration chooses where to go. As far as daily life, one thing that’s big for me is prayer. I talk to God a lot, reflect, and try to stay grounded in that. That part of my life has really shaped my clarity and direction. It’s not something you might catch just by listening to the music, but it’s a huge part of who I am.
Which current artists do you feel are also pushing boundaries in the same way you are?
That’s a great question—and honestly, I don’t think I’ve seen anyone doing exactly what I plan to do. There are definitely artists out there pushing boundaries, but based on what I’ve created already and what’s coming soon, I haven’t really seen anything quite like it. Now, in terms of inspiration, I really look up to artists like Brent Faiyaz—not just musically but also in how he moves on the business side. And people like Ice Cube, André 3000, and even Will Smith—they’ve all crossed lanes creatively in ways that inspire me. But my goal is to take that even further and carve out a new lane entirely. I think in a year or two, once more of what I’m working on is out, that’ll make a lot more sense.
When you look ahead five years, where do you see Peso The Misfit—not just musically, but as a creative brand?
Five years from now, I see myself as one of the leading creative forces—not just in music, but across film, storytelling, and art as a whole. I don’t just want to be known as a musician or actor; I want to be seen as a creative, period. Someone who builds worlds and sparks inspiration. It’s not just about what I make—it’s about how it moves people, what it unlocks in them. I want the work I put out to remind people of their own potential, their own creativity. So whether it’s a song, a film, or something completely unexpected, I see myself creating experiences that resonate deeply—and I believe five years from now, I’ll just be scratching the surface of what’s possible.
If you could direct a short film based on one of your songs, which would it be and why?
Man, that’s a tough one—but I’d have to go with ‘Feel the Vibe.’ That track has always felt cinematic to me. In fact, the whole Not a Love Story project was written with the idea of eventually turning it into a film, and ‘Feel the Vibe’ would definitely be one of the key scenes. The storytelling in that song is so vivid—you can see it as you listen—so bringing it to life visually would be powerful. I think it would make one of the most entertaining short films from anything I’ve made so far.
