Tim Vicia opens up to Urbanista Magazine about his latest single, Allein unter Vielen, a heartfelt exploration of loneliness in a crowded world. Drawing from personal experiences and a keen sense of emotional intimacy, he fuses introspective lyrics with pop-forward production to create a sound that is both personal and universal. From bedroom studio experiments to collaborating with producer Sorgenkind, Tim crafts songs that invite listeners to feel seen, reflect, and find comfort in shared experiences, all while channeling influences from Billie Eilish, Gracie Abrams, and Julia Alexa without losing his own distinctive voice.
How did the concept for “Allein unter Vielen” come about?
Loneliness is a big topic nowadays, not only for gen z, but right through all generations. You can also feel lonely when you’re with friends, your partner or your family. You’re “alone among many”. I wanted to give people a voice who can relate or feel like this.
The track blends intimate vocals with pop-forward production—how did you achieve that balance?
I really do feel what I sing about, I’ve got a strong connections to my songs, they’re like my little babies. So is the topics I sing about. I often close my eyes when I sing my warm up-vocals. Together with the brilliant work of my producer Sorgenkind, I’m able to create this atmosphere and I’m honestly happy about that.
Which instruments or sounds were essential in creating the track’s atmosphere?
I’m afraid you need to ask my producer, haha. We used many effects, synthies and plug-ins of the DAW’s we work with. But: In “Allein unter Vielen”, we also used this soft and cute electric guitar, my producer recorded it. It gave me the chills in the studio session, I enjoyed it so much.
Can you walk us through a typical recording session in your bedroom studio?
I always know, what I want to sing about. The story I actually want to tell. When I create the first sounds of a new demo, I listen to it over and over again. And I try to find out, what words fit the best to this atmosphere, to this feeling. While I sing the first words, I’m recording it with my phone. Then I’m listening to the recordings and figure out, which version I like the most. And so arises the new song, more and more, step by step. Such a nice process.
The song feels personal yet universal—was that intentional?
Definitely! Almost always, I try to tell a story of mine. Or what happened to a friend of mine, for example. I’m very precise trying to find out, which words fit the best. I’d like to be clear, but not going into details too strong. I want to let some space for my fans, for the people who listen to my songs. I’d like them to fill it with their own experiences and their own stories. So it becomes not only my song, but the song of everybode. I love this idea.
How do you translate feelings of isolation or introspection into musical elements?
In my opinion, the lyrics should kind of fit to the atmosphere of a song. It doesn’t need to be identical all the time, but it needs to support each other, if that makes sense. I’d like to give specific feelings a sound. In my case, the songs sound melancholical, pensive and calmly.
Were there any challenges in producing this track that pushed you creatively?
With the song “Allein unter Vielen”, the difficulty was that I’ve had too many ideas! You know, like ‘We could also do this’ or ‘It could also sound like that’ or ‘What if try completely another way?’ I was going crazy from time to time, I’m not even kidding. The decisions I needet to make, those were hard. To chose that one way, everything should sound like in the end. But I think I’m satisfied with the final result.
How did your inspirations—Billie Eilish, Gracie Abrams, Julia Alexa—shape this song?
God, I love these artists. Yeah, I admire them a lot. They all have this intimate closeness to their listeners. They’re accurate, personal and approachable. I think that shaped my sound a lot. Without being a copycat of course. My songs are a 100% percent of me, in one way or another.
If someone listens to this track while feeling lonely, what experience do you hope they have?
I hope they feel seen. Even if they feel like it, they are not alone. They’re not invisible. Hopefully it gives them a little bit of comfort. Maybe even being part of a community, my communtiy. That’d mean the world to me.
Are there any hidden details or moments in the production that fans might not notice at first?
That’s a weird story! You know, I’m living in a very small flat. I’ve got one living room, a small kitchen, a bathroom and that’s it. That means, that my furnitures are kind of close to me. So is also my fridge, which is buzzing from time to time, when it’s in the cooling process! When I do my warm up vocals at home, sometimes you can hear it! My producer needs to filter it out in his studio, but will he succeed every time? Who knows…
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This artist was sent to us via Decent Music PR
