London-based artist, songwriter, and producer FOLLOWAY returns with his explosive new single “Rockstar Life”, blending raw emotion, distorted guitars, and the restless energy of youth. The track marks the third release from the rising alternative rock artist and captures the atmosphere of freedom, rebellion, and inner flight, a late-night anthem for those who refuse to stand still.
When you moved to London with limited English, how did music help you communicate and connect with others?
When I first came to London with almost no English, I realised something important – music really is a universal language. At jam sessions and in studios, it didn’t matter where you came from. The terms sound similar, the notes are the same everywhere. I connected with people through sound, rhythm and the moments when you just play together and understand each other without speaking. It helped me feel part of this new culture long before I could express myself with words.
How has your multicultural background shaped your sound and storytelling?
Moving countries brought up emotions I had been carrying for years. Before, I didn’t always allow myself to be vulnerable in my songs. But the mix of my past and my new life in London opened something inside me. My writing became more honest, personal and emotional. I stopped being afraid to talk about what I’m actually going through.
Do you remember the first song you wrote at 14? How has your songwriting evolved since then?
Yes, it was called “Grey Days.” Just a simple drum groove and a few guitar chords, but it meant everything back then. It was the first step. With every track after that, I slowly learned how to shape my sound, listen to myself and pay attention to details. Now I dive much deeper into the process from the first idea to every tiny sound. And I still feel like it’s only the beginning.
Can you walk us through a typical day in the studio for you?
My process is split between my home studio and a professional one. At home, I create everything from scratch – the instrumental, the vocal melodies, the lyrics and the demo. It’s my space for experimenting. Then I go to the studio to record the final vocals, because of the acoustics, the vintage microphones and the analogue gear that gives the songs their character. For me it’s the perfect balance between freedom and quality.
How do you balance vulnerability and energy in your performances?
I haven’t performed a lot yet, but I’m already shaping what my live sound will be. In my music I try to keep a balance between softer, more intimate indie-pop tracks and energetic, dance-driven songs made for the stage. That contrast helps me show different sides of myself and keeps the performance alive.
Which instruments or production tools are essential to your sound?
The guitar is at the core of everything I do. Even when I experimented with Jersey Club or trap elements, the guitar always stayed as the main instrument. I love blending live guitar parts with modern production – that mix of indie and pop-rock defines my sound.
How do you deal with creative blocks or self-doubt when writing music?
I think every artist goes through those cycles – moments of euphoria and moments of emptiness. I learned to keep writing even on the days when nothing feels right. Any line, any idea – it’s still a step forward. And I try to trust the process. Sometimes you just need a day to live, to watch a film, go for a walk, talk to someone close – and the inspiration comes back naturally.
What’s been the most challenging part of establishing yourself as a London-based artist?
Letting go of my past project. I had a whole history, a name, songs, listeners… and I left it behind to start again in English as FOLLOWAY. New language, new environment, new scene. But it was the right decision – it allowed me to build a sound and identity that feels true to me now.
Do you prefer live performances, studio sessions, or writing alone — and why?
I usually write alone because it lets me fully sink into the process. But I’d love to collaborate more – great ideas often come from working with other musicians. And live shows… that’s a special kind of magic. It’s a moment of real connection and energy between you and the audience. Nothing else feels like that.
What’s next for FOLLOWAY in 2025 and beyond?
I already have a few softer, emotional tracks ready, and in 2026 I want to show different sides of FOLLOWAY. I’m developing both my sound and the visual identity around it. The next release is very honest, the lyrics mean a lot to me, and I can’t wait for people to hear it. It feels like the beginning of something much bigger.
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