You’ve described the album as a mix of social commentary and personal reflection. Was there a particular moment or event that sparked the songwriting process for this record?
There was not a particular moment. I write when I get tired of all my songs and need to write a new one. I’ve been trying to release a new full length every two years so that self imposed pressure keeps me at it.
“Amplify” sets the tone for the album by addressing the division in the U.S. Do you see your music as a form of activism, or is it more of a personal expression?
Like any good writer, I write what’s on my mind at the time. I have a history of political-ish songs like UNarmed American and Jagged Tooth. It’s really difficult to be in the States and not comment on certain issues. But I don’t necessarily set out to be an activist. On this current tour, I am bringing up politics. I can’t pretend that what Trump is doing to our allies isn’t an elephant in the room. I find myself apologizing on behalf of the Americans who voted for actual democracy.
“Glowstick” and “Two Flat Tires” tackle heavy themes like depression and addiction. What was the emotional process of writing and recording these songs?
I collect words and phrases that interest me. When it’s time to write, I pick one and run with it. The stories reveal themselves.
You worked with Colin Moulding of XTC on two tracks. What was that collaboration like, and how did it shape the final sound of those songs?
Colin and I worked via email. I’d send him a rough mix without bass and he’d send me a finished track. He’s an incredible musician. On Only Grey Matter Boiling In My Head, Colin also suggested some production ideas which worked perfectly. I feel honored to have worked with him.
You self-produced, engineered, and played most of the instruments on this album. How does that level of control impact the final product compared to working with outside producers?
I do all this myself so I don’t need to pay anyone else. I’m a professional record producer with a studio so it’s efficient. Also, the process of tracking the parts is all part of the writing and feel of the songs. It’s the fun part, the rest is painful.
This being your tenth studio album, how do you feel your songwriting and production have evolved over the years?
My studio gear has not changed in years as my money goes to support the tours. The albums sound better with each record so that’s gratifying. It’s difficult to judge my songs but I hope they are moving in the right direction.
What can fans expect from your upcoming tour? Are you planning to perform the album in its entirety or mix in past favorites?
We are including 4-5 songs from the new album and a cross-section of my catalogue. It’s been a lot of fun.
