For singer-songwriter Will Foulke, Charleston Blues isn’t just an album—it’s a love letter to the city that shaped him and the sounds that raised him. Blending pop, rock, and jazz into a cohesive, heartfelt project, Foulke has carved out a sound that feels both nostalgic and refreshingly his own. In this exclusive interview with Urbanista Magazine, he opens up about growing up in Charleston, channeling heartbreak into art, and why taking full creative control in the studio was as cathartic as it was challenging. With sincerity at the core of every lyric, Foulke invites listeners on an emotional journey through rhythm, memory, and self-discovery.
How did your upbringing or early musical experiences influence Charleston Blues?
I was raised on many different genres of music. My inspirations contributed a lot to this album; they allowed me to take all the elements from pop, rock, and jazz that I love and turn it into a cohesive project.
When did you realize you wanted to be a solo artist rather than part of a band?
I knew I wanted to be a solo artist after witnessing John Mayer’s career. That had a lasting impact on me.
The album covers a lot of emotional ground. How do you connect with listeners on such a personal level?
I write about what I’ve experienced and hope that my listeners can relate. I think it’s important to be sincere and candid in the songwriting process.
Are there particular life experiences that shaped songs like “Still Alive” or “Cold and Blue”?
Still Alive is about my upbringing in Charleston, South Carolina and the difficulties that can come along with growing up. Cold and Blue is about one of my break-ups that I felt the need to express through music.
How does performing all parts yourself affect your emotional connection to the music?
Playing all the parts on Charleston Blues made me feel very connected to the music, as well as being very cathartic.
What was your favorite part of the recording process?
My favorite part of the recording process was laying down all the guitar solos for the album and also hanging with my friends in the studio.
How do you hope audiences react to Charleston Blues on their first listen?
I hope listeners feel like they’re being taken along on a magical journey where they can get lost in the music while unwinding for an hour.
Which songs do you see translating best to a live performance?
I see Dropped Out translating very well in a live setting as well as Charleston Blues.
Are there any collaborations you dream of exploring in future projects?
I would love to work with Jeff Lynne and Paul McCartney one day.
Where do you see your music evolving over the next few years?
I’m not really sure how my music will evolve but I know I’m going to try a lot of different sounds and keep elevating as a writer and a musician.
